Sunday, 23 October 2011

October 2011 Meeting

Hello, my name is Nuala Murphy and I'm a comics artist. This is my response to the October meeting of Laydeez do Comics, I hope you enjoy it. You can find more of my work at nualacmurphy.blogspot.com. Thanks!

Illustrator and comic artist
























Martin Steenton + Judith Taboy 
Co-editors and contributing writers at Avoid the Future a comprehensive blog about comics and graphic novels
Publicist and translators at Blank Slate Books. They were talking to us about the graphic novel, Luchadoras, by Peggy Adams which they have translated from French to English for the recent UK publication by Blank Slate Books
























Joanna Walsh AKA Badaude Writer and illustrator, author of London Walks, published by Tate

Thursday, 6 October 2011

September 2011 Laydeez do Comics

Jumping from Shaolin monks and  the Hiroshima Bomb to David Bowie and Kubrick patterns, we journeyed from one artistic world to another at Laydeez do comics on the 19th of September. I am the guest blogger for this month, my name is Elena Vitagliano (please have a look at my web gallery  :D) and I am going to introduce you to David Blandy and his collaborator Inko, and Rachel Cattle.
Let’s Start with the first two...
A sense of thoughtful  quietness, almost a meditation is something that you can find in David Blandy works, or in his character “the barefoot lone Pilgrim”, that is really “his character”, because this Pilgrim is his manga version, the artwork created by Inko.

David is a young man who talks at his own leisure and has a good sense of humour.
Inko is a young woman, perhaps not a typical Japanese woman, since she has lived in the UK for some years.
For this talk, they presented the work they have done together:

-       The origins of the barefoot lone pilgrim
-       Underground Heroes
-       Child of Atom

David’s first experimentation with the comic form was during a two weeks residency as a hermit at Painshill Park, Surrey in a recreated hermitage.  David related to the audience how the man who originally built the hermitage as part of the landscaped gardens, intended to have a resident hermit living there for 7 years. But 2 weeks later the original hermit was found drunk in a pub! Luckily, Blandy’s results were different: a comic diary (of the two weeks) and the birth of the Barefoot Lone Pilgrim. The BLP wears an orange kung-fu suit, which was from the Shaolin temple in Tufnell Park (a temple where David used to go) and is searching for “soul records”.  He is the main character in some videos and the manga comic. He is a “fighting philosopher” and dreams of becoming a Kung Fu master (a dream that David used to share.) His influences are from  computer games, like Street fighter and from martial art films. David’s quest in his work is for him to identify his own cultural position in this world. Here's an extract from the film he made about The Barefoot Lone Pilgrim...
After making 3 films about the Barefoot Lone Pilgrim, he moved toward others horizons. He decided to explore the origin of the Pilgrim, because every superhero has an origin.
It was from this idea that the making a manga comic based on the film emerged. He meet Manga artist, Inko, who agreed to work with him on the project and so this new adventure began. Inko was given complete freedom with her artistic interpretation of the film and she decided to respect the rhythm of his work. Throughout, with a wise use of black, Inko leads the reader in an atmosphere of meditation. From these pages, the powerful of words are amplified and we are almost able to hear the James Brown song,  “Mind power”, the theme song of the movie as well as of the comics.

 “Art on the Underground” was the next project that involved David and Inko. Based on the theme of  “Underground Heroes”, David and Inko worked with young people from Fairbridge. “Inspired by comic books tales of heroic quests, each young person has created a superhero persona that draws upon their own interests and aspirations”. You can see the full Underground Heroes comic strips here, as it was not possible to show it during the talk.

So we arrived at “Child of Atom”,  David's more recent film about his bond with the Hiroshima Bomb. His late Granfather would not have survived being a Japanese Prisoner of War if the atomic bombing of Hiroshima had not occurred. So, in a way, David can argue that he owes his own life to that bomb and to the death of thousands of people.
The film is a symbolic visit to Hiroshima made by him and his 2 year old daughter to search for their 'origins'. This work too has been adapted into a manga comic by Inko. Unfortunately, this time the budget was very small and the comic contains just 6 pages.
At this point, David invited Inko to talk about other works she made but not in collaboration with David and she mentioned a project that we can find on the web site “Go go – metro”. It consists of a manga personification of the tube stations. So you can meet the sweet Victoria or the small but spicy Angel, the brave and patient Waterloo and more.
This is a work in progress, made in cooperation with 
Chie Kutsuwada.

She asserts that as she feels more like a craft man rather than an artist, she feels more confortable working with someone and having the challenge to turn someone else's stories into images. However she has also worked on her own projects, and has written some short manga stories. Inko is now working on a picture book for kids, "Rachel moves to Brighton", written by Patricia Horne. It includes 16 pages of colourful Manga style illustration. It is about a girl moving from London to Brighton and it will be published at Christmas time.


After a break, artist Rachel Cattle  presented her work.
She writes, she draws, she has made 3 films and she makes records of some spoken performances. She uses parts of music, parts of songs in a way that is personal, and thinks that comes from films (for example, she has used a pattern coming from the movie “A Clockwork Orange”). There were some other similarities with David's work. Rachel too likes working in collaboration and often works on projects with Steve Richards. She said that although they have lots of things in common, they also have different attitude to things and different ideas about things. This is why their collaboration is so interesting.

Rachel's first interest is drawing. She affirmed, “I am basically a drawer. I am obsessed by drawing. By the idea of what drawing is. What it does to me and what it suggests to people. I’m not interested just in what I draw but also in why I draw. And what drawing is.”

One of the tasks she imposed to herself was to make 100 pencil drawings. She actually made just 30 of them. She chose unrelated subjects such as: a brownie, a woman, a ladder...
She generally works with 4B pencil, using lot of blackness in her drawings. She enjoys the process and likes being isolated form the world and the technology  as much as she can. She has no internet access in her studio.

Some years ago, talking with a colleague about comics, she was impressed by the idea that a comic is something between a movie and a book and yet is neither of those. And, it is capable of creating a world of its own. So, Rachel made her first comic, drawing it in one night, representing, without any words, a journey into darkness.

Another of her comics was made in collaboration with Steve Richards. Here, speech bubbles are philosophical thoughts, lyrics and speeches from the films that Steve collected.
Although these sentences are not related, all together they make a kind of narration.
This comic is related to a movie made by Rachel and Steve called Same Old Scene (named after the Roxy Music song).
After this, Rachel talked a bit about her movies and her performances and she ended her talk with a reading.


IN ADDITION...An Interview Special with Inko
I was so interested in Inko and her work that after the meeting she agreed to answer some questions...

- What is the origin of the name Inko? (anything related to ink?)
"Inko" sounds like "ink", but actually means "parakeet" in Japanese.
One of my manga artist friends Chie Kutsuwada (Hagakure, As You Like It) named me as a joke, and I started using it as my name on web, finally adopting it as my pen name.

- What' s your story as an artist?
I went to an art university in Kyoto, Japan, also Central Saint Martin's college in London. I grew up reading and drawing manga and was fascinated in art. After graduating, I started self publishing manga and joining manga conventions such as MCM London Expo, Japan Expo Paris with other manga artists as a group Umisen-Yamasen(
http://umisenyamasen.blogspot.com).

- What's the project you are working on at the moment?
There are few:
 "Go Go Metro (
http://gogometro.blogspot.com)" - the personification/anthropomorphism of London tube stations. This is a collaboration with Chie Kutsuwada. We are taking history and the unique stories of stations and turn them into manga characters. Manga strips and sketches are shown on the blog.

"Rachel moves to Brighton" - a picture book for kids written by Patricia Horne. This is a 16 page colouful illustrated story about a girl moving from London to Brighton. Expected to publish at Christmas time.

"Ketsueki" chapter 1 - 5 - an action manga about a female sword fighter with a legendary monster slasher "Ketsueki". Written by Richmond Clements(FutureQuake Press). Expected to be published by Markosia next year.
- Why do you work in the Uk as a manga artist instead of working in Japan, or at least "with" Japan?
As people already know, the manga culture and market is gigantic in Japan, so very competitive. The life style in the UK suits me well and I love being a bridge of different cultures. Being able to work as a manga artist at a time when it is has been so recently introduced to the UK is the luckiest thing for me. 
- What do you think are the qualities of great manga?
I actually learned a lot from manga. Great manga comics suck people's minds and sometimes bend the way people think. It's not just escapism, it is a way of experiencing other character's lives.
Manga has such a wide range of genre, like films. There are light hearted ones and human drama ones based on actual events. Some amazingly well written / drawn manga changes the way you see the world no matter what the genre.

- What are the main differences between manga and the Western graphic novel, in your opinion?It's not a "which is better" argument, but generally speaking, manga differs from western comics in its construction. Comics normally have a story with an objective view, but manga normally has a very subjective and personal point of view. So while comic readers enjoy the whole orchestration like watching a great opera, manga readers enjoy being a part of a story sharing the whole emotional events the characters go though. Great manga comics really drive your emotions and grab your deepest self.

- What are the difficulties that an artist like you can experience here in Uk?More than 70% of publication connected artists have side jobs to survive, so I do.
Unless artists are in constant demand, everything is hard. once I had a language ability for communicating in English and my visa was sorted out, the promoting finally went smoothly.
About the manga creation, western comics and manga comics are almost like different media in a way of panel layouts, story development speed, time flows. So working with UK writers is almost being a interpreter to transform the original script into manga format. Which is surprisingly hard.
- Would you like to talk a little bit about your activity as a culture and language ambassador with Soas?I have been working as a Japanese language ambassedor for a few years, and basically I teach basic manga drawing techniques and basic Japanese language in one workshop. The idea was to let children have an opportunity to touch other language through these cultural activities such as Chinese + Calligraphy, Spanish + framenco dancing, Greek + Greek cooking, and so on. Combining two different activities together was a challenge, but students seemed to be enjoying leaning Japanese through manga activity. It's great to know that especially aged between 10 - 18, numerous students are mad about manga and thinking of visiting Japan in the future. 
- Is there anything you would you like to add and say?Quite often people associate manga with extreme violence and pornographic contents but please don't think they have just a shocking value for kids to satisfy their curiosity and aggressive selves! There are far more varieties of genre and imaginative, delicate crafts are there. Since graphic novels and comics attract mostly male fans, manga attracts both, so girls, don't be scared to take one, how about starting with "Honey & Clover" or "Natsume book of friends"?


Many thanks to Inko.
http://cargocollective.com/elenavitagliano

Monday, 5 September 2011

August 2011 Laydeez do Comics

Hello! I'm Sally Plowman,
I am a blogger heycoolcookie.blogspot.com and this Laydeez, I have been asked to be the blog-guest!

Okay, so after the introduction and question that everyone dreads (I quite like it, and as Nicola Streeten pointed out, people can be reminded of the otherwise forgotten names of the regulars) the first speaker
was Howard Hardiman who started off by telling us about his background- involving a few qualifications that somehow ended in him becoming a sign language interpreter. It came across that in the ten years he was doing this job, he was earning lots and lots of money, but didn't feel this was what he wanted to spend the rest of his life doing. Due to the inclination that he should go back to the creative spectrum, and the fact his arms were physically giving in, he started drawing little drawings on post-it notes, which ended up as a comic 'Badger'. After the surprising success of this, he realised he was in the deep end, and decided to do an MA in illustration at Camberwell, accompanied with the advice NOT TO PUBLISH ANYTHING until it was over! So he started thinking... which lead to the revelations of just what he had been up to when he was signing. This was a well paid job, with ridiculously long hours... and the money was 'going up my nose' as he said, every weekend was spent clubbing and he eventually got very into the gay scene. As he described himself as a 'nosy person', he found lots of interesting stories from drug dealers, escorts, porn stars... which seemed to develop in his head as little scenes. After these interviews with these people, his initial idea was to develop it into a play, although after some thought, he realised this would attract the wrong audience, who wouldn't understand what he was trying to say. 
Howard Hardiman
When he found these scripts, whilst studying on his MA, he decided to turn them into comics... But because of the potentially damaging and very honest things these people had said... He decided to turn them into dogs!

Cover of The Lengths, issue 2

"You care more about a dog than you do a person"
So his plan became to finish the first issue of this comic for his MA project, and he would like to get some money at the end of it... so after asking around for publishers, a distributor told him to send it over when he had finished, and they would see what they could do. After expecting some advice, of course as soon as it had been received, the distributors announced they would take it!
This has become "The Lengths". Now with a schedule of a new issue every two months, he is being forced to draw every day, and his paranoia of not being able to draw has had to be pushed to the side as he realised that people really did like his work! It is also acting as an archive, with a recognisable difference in drawing skill between issues. Find out more here.


Next up was Jenny Linn-Cole, currently a volunteer at the Cartoon Museum and a regular Laydeez do Comics attendee. She started her talk by showing us an inventive animation of drawings of all the doctors, from Doctor Who, merging together. This was created in three days for a Doctor Who exhibit at the Cartoon Museum. After flicking through pictures of previous comics and drawings she'd done, including a small strip about her mother's cat, pencil sketches of the Laydeez (Sarah Lightman and Nicola Streeten), detective spoofs and fantasy scenes of pirate ships and old pubs, she moved onto a funny, real life story about a conversation she had with her son.
"Mum, I want to try dope..."
After this almost unbelievable converstion being read out, and all of us having a chuckle, she started talking about her latest drawings, about her father's stroke and her own experience of depression that followed. These had the extra charm of being hand painted, instead of being drawn in photoshop, which she normally uses. With rough sketches trying to describe what depression felt like, she showed us how she eventually came to the conclusion it was like she was a shadow of her former self, and she was losing definition. She then went on to show us the spread of 'her depression', which was a beautifully inked shadow of herself which she had collaged using photoshop, with drawings from stages throughout her life on the opposite page, including motorbikes which she did in university. She finished her talk by showing us the aftermath- an explosion of an attic which they had to sort through.... ughh nightmare!
Recent work by Jenny Linn-Cole

And now... Time for a slice (or two) of Sarah's cake, and a browse through the graphic novels and comics up for sale.

Francesca Mancuso, the next speaker, is an Italian Manga and cartoon enthusiast who draws little cartoons for fun. As she started talking, it was revealed that her love of Japanese illustration started off as a child, when Italian 80's TV was broadcasting a whole load of anime. In her teens, they started bringing out the Manga comics of TV shows of her childhood, which she began spending all her money on. She bought a book, by Manga artist, Suzue Miuchi, that was really influential for her, but when she tried to look for a an English fan site, she couldn't find one. This made her quite frustrated,  inclining her to make her own website... http://www.dreamsaddict.com/garasunokamen/ because of this book, web design is now her occupation!

Her first creative love was oil colours, although she hasn't painted that many canvases as she doesn't have space for them all. The next thing she tried was acrylics- both on paper and canvas- which she found more difficult, but still enjoyed. The quickest and best way to add a splash of colour to her sketches right now, however, is watercolours.

She then went on to show us some of her own cartoons and cards for her friends and family and the next slide was slightly different... they were emotional paintings, with soft tones and smooth lines, which had apparently been criticised for lack of anatomical knowledge, but had seemed to get the most response from the audience and critics, and let her display her emotions and feelings more.
At the very end of her presentation, she showed some very skilful sketches, from real life, of people at a cartoon club/meet up.
Sketches by Francesca Mancuso





The final speaker was Mike Medaglia, who introduced himself as a “Taoist Artist”. Originally from Canada, he is presently based in London, working as a massage therapist as well as developing his drawing. He began by showing us a variety of his Taoist Mountainscapes, showing a variety of mark making. Alongside the influence of the Taoist way and concepts such as Yin and Yang, Mike’s influence within the world of comics was from the Manga work of Osamu Tezuka.

His first foray into comics was the production of “Wet Ashes” that he created with his partner, soon to be wife, Lisa Woynarski, who did the writing. They made a story about a group of characters and their lives and relationships with each other. Mike was on drawing and used a fairly crude drawing style. Some years on they have just produced the next in the “Wet Ashes” series, with a more sophisticated drawing style. A spread that was popular with the audience was one showing one of his character’s obsession with Bonsai trees. The drawing shows the influence of Chris Ware on Mike’s developing style.

Mike told us how he is keen to improve his drawing skills. He set himself the task of drawing a face a day for 333 days. Why that number? He has a thing about random numbers. He mentioned that on 11.11.11 he and Lisa will be getting married. Brilliant! So...back to Mike’s numbers… Once he decides on the number for a project he sticks to it. And with only a few days to go, Mike’s next task will be 333 faces in colour this time. He draws from photos and we were able to recognize some of his models.

Mike is a natural collaborator and experimenter. One new collaboration is “Dot Comics” with Elliot Baggott  He showed us a page, which has been coloured by fellow comics artist, John Riordan.  They hope to launch it at Thought Bubble Festival in November. Another collaborative project is with Mark Haylock. They are planning to start a monthly comic book club, maybe at the new Gosh, or maybe at ISW. The foundations are being laid and they hope to kick off in the autumn. Perhaps the most interesting collaboration was Mike’s work on abstract comics. He showed us a panelled page of marks. He told us how it started when he was playing around with his 8 year old nephew. The liberated way his nephew drew so freely and imaginatively, offering Mike commentaries on abstract marks, has inspired Mike to consider developing the idea further. Yes, please do! And so the end of another inspiring evening...sweet dreams...
Spread from Wet Ashes, by Mike Medaglia

Wednesday, 29 June 2011

Laydeez Do Comics June 20th Meeting




Hi, my name is Mike Medaglia. I am a London based Cartoonist, originally from Canada. Check out some of my work at: http://www.facebook.com/taoistartist I have been going to Laydeez do Comics for a few months now, and this month I am honored to be blogging for it, which is daunting because this was a night to remember! I have never blogged before, so I am excited to make my first blog about this event!
At the start of each Laydeez Do Comics meet, everyone attending is asked to introduce themselves, and what they do, and then answer a question of Sarah or Nicola's choosing. Some people are fine with it and some people shy up but always there are many laughs to follow people’s answers and it gives the room a lighter more intimate feel. The question asked on the night of June 20 was,"What was something that frightened you this week?" The four speakers of the night answered thus:
Andrew Godfrey: “In ten minutes time I have to talk in front of you.”
Katie Green: “…The scariest thing is my mum and dad saying they want to come along and watch tonight…they’re not here.”
Charles Hatfield: “In flight turbulence.”
Joumana Medlej: “This presentation I’m giving.”
This was the start of what was a great evening for comics!
Andrew Godfrey
The first speaker to take the stage and impress us all was Andrew Godfrey. A Bristol based blogger and cartoonist who has focused a lot of his creativity on his work titled, The Clichéd Artist: Autobiographical Comics by Andrew Godfrey. The work deals quite openly with Andrew's own struggles with Cystic Fibrosis, which is a recessive genetic illness. Andrew referred to it as a “Sexy Disease” because of excess build up various fluids, Andrew's talk was sprinkled with his humor! Andrew's work deals with the various situations he has found himself in as a result of his degenerative illness. It shows the brutal physiotherapist he has dealt with over the years, which made him writhe in pain or the endless trouble that his digestive tract gives him as a result of C.F. It is very funny and very moving work.
As he talked about his struggles he was open, honest and confident which made the audience comfortable listening to his intimate experiences. He demanded no pity and has used his struggles to fuel his wonderful and expressive comics.
Andrew explained that a major inspiration for him was Bob Flanagan. He showed a clip from SICK: The Life & Death of Bob Flanagan, Supermasochist, a 1997 documentary film directed by Kirby Dick about Bob Flanagan, a Los Angeles writer, poet, performance artist, comic and BDSM celebrity, who suffered from and later died of cystic fibrosis. He explained how he used his first piece of comic art, titled, The Selfish Gene, to explore C.F. with “no idealism about illness”.  He also talked about his experiences on web forums where he found people were sometimes not very supportive and even competitive stating that they were “Sicker then you”. Andrew found this less then helpful, and mentioned that for him sitting around talking about his illness is not great, that he would rather just get on with his life. This is an idea that can be translated to anyone who dwells on the bad and misses the good in life.
Andrew also has a website called Graphic Engine where he blogs about comics mostly, but also film and various other things! Check it out there is some great stuff on there: http://itsallaboutthecomics.blogspot.com/
Another aspect of Andrew’s life is his work as a feminist, which he sometimes struggles to identify with. He joking has been called a “Self hating male.”
Andrew’s talk was funny and his work was inspiring. It made me happy to see someone who has taken the struggles that he has been handed and turned them into personal and engaging art! I hope Andrew keeps going and keeps providing the world with his sequential stories and informative blogs.
Katie Green
Katie was the second speaker of the night and had a few similarities to Mr. Godfrey, she is a cartoonist and blogger, also from Bristol. Her first graphic novel titled, Lighter Than My Shadow (set to be released in early 2013 by Jonathan Cape) deals with her own struggles with sickness. Yet, being a very personal presentation the differences were greater then the similarities.
Katie focused on three different areas in her talk. First she talked about her on going zine titled The Green Bean, which she sells on her own itsy shop, check it out here: http://www.etsy.com/shop/katiegreen The Green Bean feels like a visual diary, compiling sketches and blurbs from her daily life. Including reviews of books she’s read and wonderful recipes she has created herself!
Second, Katie talked about her degree piece, which was a very intricate map, hand drawn which told a story of its own. It was a lovely piece and she has been asked to design something similar for the cover of Solpistic 4: http://solipsisticpop.com/2011/06/08/solipsistic-pop-4/ A magazine that complies various UK based artists.
Lastly, Katie told us about he first graphic novel that she is currently working on. The book deals with Katie’s very personal struggles suffering from and overcoming anorexia. After struggling to identify the sickness in herself and getting to the point where the doctors told her that she would only have two weeks to live if she kept going as she was, it has now been 10 years since she started her recovery. A great feat that has now found her, over the past few years, in a good spot to put her stories together into a book that will certainly become a resource for other people fighting with this disease. She was very generous with experiences and when she shared them with us it felt like she was giving us a gift or sharing something sacred. The audience was captivated and with each story the tension in the room became more and more heightened as a result of us all feeling closer to Katie and her struggles. She did not appear vulnerable and had clearly over come her sickness and turned it into 'armour’, knowing that if she could amount to so much, then she must be strong. It was very moving!
Katie said that it was difficult for her and her partner to be rehashing all these trying times in her past, but on occasion she has someone tell her that her work has helped them in their struggles. After that she knows it has been and will be worth it.
Katie had the great luck of twice being part of a wonderful course on graphic novels as part of the Arvon Foundation: http://www.arvonfoundation.org/pc652.html She has been asked to speak at it this year, which is very exciting! Check it out; it definitely seems like a great resource for aspiring graphic novelists.
Thank you Katie for inspiring people to tell their own story, whatever that may be, and to be proud of what you have been through as it defines the person you become.
See all of Katie’s work here:

Charles Hatfield
The third speaker of the night was very intellectually stimulating, a true comics scholar. Charles Hatfield is a professor of English at California State University Northridge. Along with his English classes, he has started a number of courses focusing on the study of comics, some looking at the superhero in comics and others looking at newer aspects, such as the graphic novel.
A very humorous and sweet man, Charles said that being a professor of comics is like being part of a “perpetual, life long independent study.” Perhaps that is true, but it is people like Charles that will take comics into its next stage of existence, where it can be analyzed, categorized and through that evolve. Charles said that people struggle to develop the study of comics because of a lack of a formal degree, so that students will rehash old ideas as if new, simply because they are not aware of other discoveries in the field. There is already a strong intellectual conversation happening in comics but it needs to find its way formally into the ‘institution’.
On top of Charles wonderful work as a professor, he is also an author. He currently has one book published titled Alternative Comics, which explores the history of the world of independent, underground and alternative comics. Currently he is working on his second book looking at the fantastical art of Jack Kirby. These are two strands of his work on comics, and a third being comics in children’s culture, which is a natural progression for him since he also teaches children’s literature as an English professor.
Charles explained that as he works with literature, he loved having comics as part of his interdisciplinary practice. After a while he realized that he needed comics to be there for him, a feeling I can certainly relate too and I know a lot of other people who feel the same. Works of sequential art seem to enrapture the mind and the active reading of a comic demands the mind to experience art in a way no other art form can.
But is it an art form? The way that Charles stimulated the mind of the comic lovers in the crowd had us delving into such topics as whether comics can be art. I am sure the talk could have gone on all night and I hope that in the future there is a chance to delve further into the plentiful depths of Charles Hatfield’s mind!
Joumana Medlej
The final speaker of the night is a Lebanese comic artist, based in Beirut. Joumana Medlej is the creator of Malaak, Angel of Peace, who is the heroine of Lebanon’s first superhero comic. Check it out here: https://www.facebook.com/malaakofpeace?ref=ts or here http://malaakonline.com/ or you can even download the very sleek IPad app, just search Malaak! Working extremely hard, Joumana writes and illustrates all the Malaak stories, which is quite an accomplishment since the artwork is very intricate and beautiful.
Joumana grew up in Beirut during the unfortunate civil wars that Lebanon has faced over the past decades. Joumana remembers the wars and the bombing that resulted and says that when there were bombs that meant no school and she would be stuck indoors. But at these times Joumana learned to draw to pass the time and ward off boredom and all these years later now uses her ability to create the stories of Malaak. Through this she is able to help build Lebanon’s comics culture and to give her country a symbolic angel, Malaak being the Arabic word for angel.
Malaak is a heroine that is referred to as a guardian by night. She helps protect the Lebanese people from rather fierce looking nonhuman adversaries. Joumana did not want to have her character fighting other humans; she did not want to show more terror and violence between people (something real life provides more then enough of). Malaak was born from the nut of a Cedar tree, the cedar tree being a very powerful symbol of Lebanon. The cedar has always been associated with Lebanon and Malaak was born long ago and is as old as her country. This means that she was born before all the politics of Lebanon and the countries surrounding it. Be sure to check out Malaak, Angel of Peace, you can read it online!
Thanks for this wonderful talk Joumana and for sharing your history and the history of your fantastic country with us. You can find some of Joumana’s other work here: https://www.facebook.com/joumanamedlej
That is my account of this very special night at Laydeez Do Comics. The nice thing about having two bloggers as speakers is that we get blogs recording their own accounts of the night. Check them out here: http://katiegreenbean.blogspot.com/2011/06/after-laydeez-1.html for Katie’s blog or check out what Andrew had to say here: http://itsallaboutthecomics.blogspot.com/2011/06/laydeez-do-comics-20th-june-with-katie.html
Well, that’s all, until we meet again,
Mike Medaglia

Monday, 30 May 2011

Laydeez Do Comics May Meeting

So, it finally happened. I have been asked to be the Laydeez Do Comics Blogguest for the May event! A big honour, but also a big responsibility :)
Oh well, if I manage to survive the dreaded introduction + monthly question at the beginning of every Laydeez meetup, I can do everything :)
My name is Francesca Mancuso. I work as a web developer in London; I quite like it, but in my spare time I prefer more creative activities.
I've always loved drawing; I grew up watching every possible Japanese anime the TV was broadcasting (ie, loads) and reading all the manga I could read. Since I moved to London (from Italy) and met wonderful, talented artists/illustrators/writers, I've become more and more interested in graphic novels. The link to my website is http://www.dreamsaddict.com/illustrations




The first presentation was by Paula Knight
Paula has been a freelance illustrator for about 15 years. She has done a lot of children's illustrations, but recently she is getting into the idea of writing a graphic novel.


Initially she worked with torn paper collage and pencil crayon, but then she had to stop for a while because of a strain injury for tearing a lot of paper!
When she started working again, she began using acrylics.
She has an agent, who often complained that the eyes of her characters were too cartoony. I personally found that they were perfect, but I am a big fan of manga and cute cartoony characters :)


She also illustrated a lot of books for education, e.g. safety. We were shown some examples of these illustrations, which were done for publication both in the US and in the UK. So to make the drawings work for both audiences, the person driving the car was sitting in the middle of the car, neither on the left nor on the right!
Then came some samples of illustrations from an anthology of stories for girls (Chicken Licken, Wifred Wolfred), some Christmas card designs for John Lewis (digital work), and an illustrated Korean folk tale (Fat Fox and Fine Crane).
In recent years she has started writing her own stories. She has recently signed her first 2 contracts as an author for picture books (Bright Agency).
The last part of the talk was dedicated to a short story that Paula entered for the Cape Graphic Short Story competition a few years ago. The title is "How a baby is made - an autobiography of finding out". It was never meant to be a short story, more like a template for the graphic novel she is going to write. Still, it was surely a good thing for her to have a deadline to work to.


The story starts with Paula as a child, growing up and gradually discovering how a baby is made, which is quite entertaining. But it also includes the story of the 3 miscarriages she had, the last of which was quite painful.
I am personally looking forward to reading this graphic novel, I hope I won't have to wait too long! :)


Alex Fitch
Alex presents the UK only radio show about comics every Thursday at 5pm on 104.4FM. All the podcasts of his interviews can be found at http://www.alexfitch.com/.


He happened to work for the radio without having any training, starting many years ago working in a video shop in south London. He used to write reviews for the in-house magazine and for the covers of videos/DVDs. One day he tried to get himself fired by writing a terrible review for "A Shark's Tale"… The review started with: "This is borderline, sexist, homophobic and racist…"… And he got promoted!


At the same time he started putting a few reviews in the internet. Also his flatmate was doing a degree in music technology and he had some work training at Resonance FM, so he invited him to the programme he was producing.
The station was thinking of doing a film show every week and Alex was asked if he wanted to contribute to this show.
He ended up doing the 3rd episode that they broadcast and in a few weeks he was broadcasting every week on Resonance FM.
It didn't have to be just about film: every kind of narrative was fine, photography, history paintings, comics… Since Alex has always been a fan of comics, he started doing interviews with comic artists.
Paul Gravett was one of the first comics-related people he interviewed.


Soon Alex realised that the Films Show was becoming a Comics Show. He asked to change his show to a Comics Show and got permission. The new name was Panel Borders, mostly because all the other comic terms were taken by other people for websites and magazines!
The first big name he interviewed was Allan Moyle, and after that many doors were opened to him. Recently he has started grouping the shows around a single monthly theme.
Coming soon are medical comics, and next months' theme will be superhero comics.


Alex is also doing podcasts for other people, like Sci-fi London.
Most important, he does the podcasts for Laydeez Do Comics http://laydeezdopodcasts.wordpress.com :)


He also wrote a few comics, 3 in total, 2 of which were entered to the Observer Short Story Competition.
He commissions films reviews in comics format every month for a magazine call The Electric Sheep.


Jo Tyler
Jo worked for The BBC for 12-15 years, then launched a station called 6 Music in 2002. So her background was very much audio and music (originally a sound producer for the theatre), while in her spare time in London she was digging around comics shops, especially for independent comics.


She doesn't draw comics herself, even though she claims she is inspired by the fact that you don't need to draw beautifully to write a good story (same here Jo!).


She left her job because she wasn't allowed to do what she wanted to do, ie playing with sound. So, without regretting leaving her job, she went to Sundland University and studied for an MA in Radio Production and played around for a year, partly making radio drama, specifically adaptations of the comics she really loved.


After graduating, she did a phD about different radio and the use of sounds in different ways. She called her work (in progress) Pictures to Sound.


The examples we were shown/made listen to were the adaptations of 2 graphic novels.
1. Salmon Doubts by Adam Sacks
2. Lobo published by DC Comics
I enjoyed so much listening to these tracks. It's not something I can describe easily. I suggest that you listen to the podcast as soon as it is available!


Mary Talbot
Mary was welcomed with a big applause as soon as she was introduced :)


This is the first time she has given a presentation about her first graphic novel, written in collaboration with her husband Bryan Talbot who created the artwork. Wow, that's exciting!


As an academic she has been teaching and researching about feminist linguistic and gender studies. She has now retired from academia.


The graphic novel is a graphic memoir, a combination between personal history and biography of James Joyce's daughter, Lucia Joyce. It starts with her sitting on a train, reading a biography, falling asleep. The plot is a combination of coming-of-age stories, set in two different historical periods, both contrasted by social expectations and gender politics.


Why this connection between Mary and Lucia? Both the women's parents are called James and Nora. Also, Mary's father was a Joycean scholar.


Mary's childhood is set in the 50's, in Lancashire, in an Anglo catholic environment. She had four big brothers. She discovered gender only at school. At that time girls were segregated and secluded. Father was busy, always argumentative, talking a lot with quotation, Mary a little bratty teenager. The graphic novel explores the contrasting relationship between father and daughter.


I love the fact that Mary's boards are coloured in sepia, while the scenes from Lucia's life have a blue tint.


The story follows the fortunes of Joyce's family. For a while they lived in Trieste (I know this very well, Trieste is my home town!). James was working as an English tutor with methods, that were as unconventional as his personal life. They moved then to Paris, where James found a publisher (Sylvia Beach) and a patron. Lucia was an accomplished dancer. Mary was a dancer as well, even though apparently a much less accomplished one: she didn't last long, while Lucia did.


Lucia lived in a wonderful period, in the 20s, when she could be involved in a lot of experimental (modernist) dance, while her father was involved in experimental (modernist) writing. She didn't get support though from her father for her dancing career. Both her parents very discouraging. She was told to stop dancing because it was too hard for her, an obsession that had gone too far.
This had tragic consequences for her. She spent most of her life in mental institutions.


The book is called  Dotter of her Father's Eyes, is scheduled for publication by Jonathan Cape in the UK and Dark Horse in the US in March 2012, even though it is already complete! Boo, I can't wait!